Sunday, July 31, 2011

This Week at the Magic Castle

Derek DelGaudio is a super star. Rob Zabrecky and Jon Armstrong are heros of mine. Schatzi und Loudermilch will be hysterical. Patrick Heitkam who hosts his own show will be awesome in the Peller.



Monday, July 25, 2011

This Week at the Magic Castle



Magic Magazine Preview For August 2011

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MAGIC Magazine August 2011 CoverMAGIC Magazine July 2011From The Editor

This is a fun time for everyone at the MAGIC offices, as all the pieces toMAGIC Live are really starting to fall into place. The warehouse is filling up with displays, vendor merchandise, giveaway items, notes, etc. And there's certainly an air of excitement building. If you're anywhere near Las Vegas, August 14-17, you should find your way to The Orleans Hotel. Simply click here to register securely online.

If you simply can't make it live and in person, you can still stay up with what's going on at this unconventional convention. Each night at midnight, we'll be posting "Late Night Live," a fifteen-minute re-cap of events hosted by Jonathan Levit. The show will also feature behind-the-scenes interviews and special reports. We misprinted the time in the August issue, so please make note: "Late Night Live" will be available Sunday, Monday, Tuesday, and Wednesday — at midnight! Follow us on Twitter or subscribe to ourYouTube channel.

Meanwhile, here's the latest MAGIC Preview, offering a peek at what's inMAGIC Magazine for August. I hope you enjoy it!

If you're not a subscriber, please give us a try. Check out our risk-free, one-month-at-a-time subscription plan at the bottom of this email. Of course, we still offer our annual subscriptions as well.

MAGIC is also available for your iPad in the App Store. The cost is $3.99 and it arrives within a few minutes. Best of all, you only buy it once, then you own it forever and can enjoy it wherever you want — Internet connection not required!

See you in August!

— Stan Allen




Stories in MAGIC this month:

The Storm Before the CalmCOVER: The Storm Before the Calm
By Mark Kornhauser
The Carnival Magic embarked on its maiden voyage on May 1, 2011. The ship cost $740 million and has the capacity for 3,646 passengers and 1,367 crew. It is three football fields long and weighs 260 million pounds — that's twice the tonnage of the QE2 and almost three times the size of the Titanic. About two years ago, while the ship was being built in Italy, someone must have said "Hey, we should have a magic show on this ship."
The next logical step was to ask Kevin Jeffrey and Gus Carrilo of Kevin & Caruso to co-produce the show with Carnival. Here's a backstage look at the making of a million-dollar magic show — a story of power, money, sex, and danger.

Believing in Rosabelle
By Gregory Curtis
Believeing in RosabelleIt was a bright morning in May when my boss, Dr. Thomas F. Staley, director of the Harry Ransom Center at the University of Texas at Austin, called me into his office. He pointed proudly to a green steel box about two feet long and eighteen inches wide. Gold letters on the front read "The Estate of Harry Houdini." Houdini died on Halloween, 1926. This box was a recent gift to the Ransom Center from a lawyer who had worked on Houdini's estate so many years ago. I examined the contents over the next several days. With one exception, these papers were of only slight interest. But one brief note on a slip of paper had me running back to Tom Staley's office to show him this treasure. Could this yellowed piece of paper resolve one of the great controversies involving Houdini, a controversy that did not arise until almost three years after his death?

Breaking Into the ChurchBreaking into the Church: A Day with Bill Abbott
By Jamie D. Grant
Despite being on a Ducati, we weren't actually going that fast. I was driving and Bill Abbott was on the seat behind me. Bill and I were cruising through the Canadian countryside along a winding road. He was in town for a gig, having been flown across the country to come perform in Victoria, which is on an island off the coast of Vancouver. This, of course, filled me with both admiration and horror.
Admiration: A church was paying to have Bill come out from Toronto, which is on the other side of the country, and was paying him a good deal amount of money to do so. Horror: A church was paying to have Bill come out from Toronto, which is on the other side of the country, and was paying him a good deal amount of money to do so — while I live only thirty minutes away and am a performer myself.

Mastering Scientific ImpossibilitiesMastering Scientific Impossibilities
By Mark Nelson
In the 1960s, Mark Wilson drew huge crowds at trade shows with exactly what his company name promised: Magical Attractions. A Robot Girl, a Half Humanoid, and the Amazing Hand Machine cloaked illusions as science, and corporate messages as entertainment.

Nights in White MagicNights of White Magic
By Alan Howard
The White Nights festival in Perm, Russia is really a festival of festivals. This year, one of the conventions making up the larger event was White Magic, "the first international magic convention on the border of Europe and Asia."

IBM 2011
Nearly 800 registrants attended the International Brotherhood of Magicians 83rd Annual Convention in Dallas, Texas. Co-Chairmen David Sandy and Roger Miller dubbed this a "reinvention convention" for the IBM.

Calvert in Manhattan
Over the years, Fantasma Magic has hosted a series of tributes spotlighting some of magic's living legends. This year, in honor of his 100th birthday and the 50th anniversary of his marriage to his wife Tammy, John Calvert received his very own three-day-long gala tribute in New York City. This event was merged with the return of the Magic On Manhattan convention, aided by past MOM producer Steve Rodman.

EMC 2011
EMC 2011It was a return engagement for the Essential Magic Conference, originating from Portugal but really taking place on computers across the globe. Building on their success last year, organizers Luis de Matos, David Britland, and Marco Tempest again surmounted the insurmountable to bring together magicians both live and electronic, keeping conjurors in front of their computer screens July 7-9.

A Moment with... Luis de Matos
MAGIC Magazine sat down with Luis in Portugal on the last morning of EMC to learn more about why they decided to produce an Internet convention, the difficulties they've run into, and what their plans are for the future.

Plus...
Remembrances of Eugene Johnson, Bruce Bray, Sidney Radner, Jimmy Yoshida, and Hank Moorehouse.



And there's even more tricks and advice this month:

Talk About TricksCoffeehouse ConjuringClassic CorrespondenceDirectionsTalks About Tricks
By Joshua Jay
This issue contains five routines. Each one of them will make you say "Hey, I could use that in my next show!" These are audience-tested routines from working pros. Cameron Ramsay shares a signed bill to party popper, John Lovick has a new take on Confabulation, Aljaz Son offers a trick with a penny and a cell phone (both borrowed), and Fritz Alkamade presents us with two workable card effects.

Coffeehouse Conjuring: Short Sleeves
By Gregory Wilson & David Gripenwaldt
The performer picks up a spectator's marked and flattened coffee sleeve, holding it by its ends between both hands, and appears to "stretch" it. Afterward, he picks up his own coffee sleeve and holds it next to the stretched one to show that the marked one is indeed longer. The performer then appears to stretch the unmarked sleeve. Holding it next to the marked sleeve, he shows that the unmarked one is now longer.
Next, he takes the supposedly "longer" sleeve and taps the end several times on the tabletop, ostensibly to normalize it. To prove that this is true, he slips it back onto his cup. A perfect fit.
Finally, he taps the end of the remaining sleeve to make it even shorter. To prove that this is also true, he hands this sleeve to the spectator and watches him go crazy trying to slip it onto his cup with a not-so-perfect fit.

Classic Correspondence: Floyd Thayer to Howard Thurston
By Mike Caveney
Howard Thurston's quest to retain his lofty position as America's foremost magician meant that he was constantly searching for new effects that could be added to his ever-changing show. Friends and fellow magicians were forever on the lookout for new mysteries that could be sent Thurston's way.
During the week of January 8, 1931, Chris Charlton appeared at the RKO Theatre in Los Angeles. He soon discovered that Floyd Thayer's workshop on San Pedro Street was within walking distance from the theater, so he made a point of visiting this well-known magic emporium. During one such visit, Floyd showed him a brand new illusion. Although it wasn't something Chris could use, he thought it might be of interest to Howard Thurston, whom he'd met during his travels across America — but the illusion had one big flaw.

Directions: One More Bow
By Joanie Spina
Marvyn Roy (Mr. Electric) & Carol had an illustrious and celebrated career in the world of magic and variety. They traveled the world for over fifty years, performing in such places as the London Palladium, the MGM Grand and Tropicana casinos in Las Vegas, and the Lido in Paris. The performance principles demonstrated in Marvyn and Carol's act are good examples from which to learn. The attitude, costume, and music styles may date back a bit, bit if you stripped away those elements and dressed up the act with more current styles, you would find Marvyn's solid routine structure still stands. The staging is sound and well-founded, and it shows off the magic to its best advantage.

For What it's Worth: Buddha Takes the Bus
By Mark Kornhauser
Many people have had this experience while performing: You've done your routine so many times, your mind just starts to wander. You realize you just had a thought about your grocery list. The audience provides a kind of steadiness to your quietly directed mind. You gently lead yourself back to your routine. All's well. People are still laughing. You are right back where you left off. You just briefly went on automatic pilot. Every so often, you sense that you are watching yourself. It's effortless, fun. You are a "witness" to your actions. And it would be fair to call this a "mystical" experience.


In the Marketplace this month:

Nineteen products are reviewed this month by Peter Duffie, Jason England, Gabe Fajuri, Greg Gleason, Brad Henderson, John Lovick, Francis Menotti, and Will Houstoun:

Handle with CareyHandle with Carey by John Carey
365 by Chris Congreave
The Heist by Lance Richardson
Elements by Lance Pierce
Postcards by Hernan Macagno
Shootout by Adam Dadswell
Tenkai Pennies & Milliken's Transpostition
X-Tension by Alexander Kolle
A Rhapsody in Silk by Ade Duval
Impossible Card Magic & Impossible Close-Up Magic with Ray Kosby Look No Hands
New York Coin Magic Seminar Volumes 14, 15 & 16
Twizted by Eric Jones
The DarkSide Deck by Lucas Allen
Coin Balloon-acy with Magic-Ian
Out of this World
Look No Hands by Wayne Dobson
The Way of Shinobi by Emran Riaz
The Trapdoor, Vol. 1 edited by Steve Beam
Illuminate by Mike Hankins

Sunday, July 17, 2011

This Week at the Magic Castle

Look who is at the Castle this week. It is Magic from Portugal. I am excited to see David Sousa. My friend Kevin Viner is also performing and I am happy to see him also since it has been a while.




Thursday, July 7, 2011

Reel Magic June 2011 Issue Arriving Shortly

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The new issue of Reel Magic, Issue 23 is Now available for purchase. Eric DeCamps is the feature and there's a classic DeCamps effect included in this issue Plus a peek at Eric thoughts on creating a Magic Show.


A quick look At Russ Stevens and RSVP magic. Garrett Tomas is back with "Try this at Home" Plus 3 Killer effects and don't forget about the move monkeys!

Now if you're a current subscriber your Reel Magic will be arriving shortly in your mailbox. If you're not a current subscriber, Reel Magic is the best deal in magic today and this issue, issue 23 proves it so what are you waiting for?

It's SO SIMPLE! Just go to

www.reelmagicmagazine.com

and subscribe.

Monday, July 4, 2011

Hollywood and Highland Hates The Buskers

This advertisement went up in front of Madame Tussauds explaining to tourists that they do not have to tip us. It took me a little research to figure out who was behind it but it appears the most of it is from the Hollywood Entertainment District which patrols and operates the Hollywood and Highland Mall and CVS/Fresh and Easy areas. They state "Hollywood Safe Sidewalks is an initiative put forward by the Hollywood Business Community and City Agencies". That would probably indicate that City money is being spent to prevent performers and other street entertainers from making money. It sounds like good money going after bad.


They continue with:

Hollywood Safe Sidewalks is an initiative put forward by the Hollywood Business Community and City Agencies to educate visitors as to what constitutes legal vending in Hollywood. As our guest we want to ensure that your visit is fun and memorable! Please note that street vendors along the Boulevard are in place under their own merit. Character actors, impersonators, performers, and CD vendors are not licensed or sanctioned by any City or Commercial entity along the Boulevard.


As a visitor to Hollywood you are welcome to take photos with these individuals for FREE. You may, if you so choose, give a donation for their products/or services, however you DO NOT HAVE TO.


If you are unsure as to what constitutes legal vending while visiting the area please feel free to visit the Visitor’s Center inside the Hollywood and Highland complex, or call (323) 463-6767 for more information. Thank you and please enjoy your visit to Hollywood!