From The Editor
Here in Las Vegas (and most places north of the equator), we're heading full speed into summer. And that means that magic conventions are bustin' out all over. Our "Conventions At A Glance" page has fifteen gatherings listed over the next three months. All together, they total close to fifty days of conventions this summer. And, for the most part, those are just the conventions happening in the United States.
To find out more about upcoming conventions, you can take a look at page 25 of the June issue or visit our "Online Convention Guide" on our website. While we've been publishing our exclusive "catalog of conventions" for almost thirty years, we've never been able to list so much information conveniently in one place — and continuously update it. And the best news is that the data is fully searchable. You can find out where your favorite magicians are appearing, what the best registration price is, and which offers the most lectures or parties. Come visit!
If you're producing a magic convention in the future, please check out how easy it is to create a new account for your event, then login whenever you want to update your listing. Scott Wells edits our Convention Guide, and he can be reached atconventions@MAGICmagazine.com.
See you at a convention this summer!
P.S. The June 2013 issue is now available in print, as well as on the iPad. If you haven't already received your copy, here's a look at what's "between the covers."
Stories in MAGIC this month:
By Massimo Polidoro
hen young Aldo Savoldello continued to practice magic against his father's wishes, his family had to give in to the fact that the boy would become a performer. It wasn't long before his magic and manipulations took him to television and around the world, making his one of the most famous faces in Italy.
John Taylor: Creator, Performer, Protector
By Rory Johnston
Creating his own acts rather than copying other magicians' work resulted in some of John Taylor's strongest routines. Now he's a staunch proponent of defending intellectual property, known for his protection of his most famous illusion, Suspended Animation.
Dick Cavett, In Conversation
By Adam Rubin
Lauded as "the thinking man's talk show host," Dick Cavett has provided wit and intelligent conversation on television and other media for five decades. But he started as a magician, and he's remained an enthusiastic promoter and practitioner of the art ever since.
Laid Back, Energetic Magic
By Alan Howard
Joel Ward wanted to be an illusionist, and loves close-up. His magic has taken him from table-hopping in restaurants to television to starring with Ringling Bros. circus. Lately, he has settled into a comfortable style doing fun, interactive parlor magic, with some original comic twists.
Plus Updates on…
- Steve Valentine and Joel Grey play magicians on the Syfy Network'sWarehouse 13.
- The incredible auction of Cardini's props and personal effects.
- There's magic history in the nation's capital.
- Remembrances of Dennis Loomis and Bob Escher.
More products reviewed this month:
Fifteen products are reviewed this month by Peter Duffie, Jason England, Alan Howard, Jared Brandon Kopf, Francis Menotti, Arthur Trace:
Fat Brothers 2
with Miguel Angel Gea, Christian Engblom, and Danny DaOrtizJuxtaposition
by Devonte RoseroA Taste of Chaos
by Loki KrosTrace
by Will TsaHaunted: Extreme Edition
by Mark Traversoni & Peter EgginkComic Book Test
by Yoan Tanuji & Guillaume BiennéGold Dust
by Paul Gordon Ice Pack
by The Miracle FactoryThe Secrets of Brother John Hamman
by Richard KaufmanThe Business of Street Magic
with Will StelfoxEureka
by Roberto MansillaDeep Mental Mysteries
by Lawrence HassThe Little Things
with Alan RorrisonTommy Cooper: "Jus' Like That!"
by John FisherClose-up Comedy Mentalism
by The Miracle Factory
Tricks and advice in MAGIC this month:
Talk About Tricks: Still Life
By Joshua Jay
We begin "Talk About Tricks" this month with Adam Rose's intriguing coin and chewing-gum transposition, and then we explore a coin-roll flourish by Marc Simpson. Cameron Francis delivers a terrific card sequence, and the issue is rounded out with card handlings by Steve Draun and Rob Gardner.
Les Amis: Inside-Out Rose
By Gaëtan Bloom & Kevin James
You take a beautiful rose out of a vase, smell it, and admire its beauty. You place the bud in your left hand and hold the rose horizontally, with a hand on each end of the stem. The leaves are pointing to the left side. Concentrate on the leaves. Slowly and visibly they begin to change directions and end up pointing to the right. You open both hands to show that the bud is now on the right end of the stem!
Loving Mentalism: Killer Test
By Ian Rowland
A parlor game forms the basis of this month's routine. Four spectators join you onstage. By a random secret process, three are designated as "angels" with a clear conscience. One is designated as a "killer" with a guilty conscience. Just by asking them questions and observing their responses, you can unfailingly spot the guilty party. The routine is played for laughs rather than mystery, but nonetheless the question remains: how can you reliably spot signs of a guilty conscience from the other side of the stage?
Bent on Deception: Spring Cleaning, or How Not to Let Your Act Die Under the Weight of Its Own Clutter
By Mike Bent
By the time you read this, it will almost be summer. Here's your last chance to do some spring cleaning — and I don't mean cleaning out your basement (although that's probably a good idea). I mean cleaning out your act. Stand back and take a good long look at the material you're performing. Ask yourself some simple questions. Is your act neat and tidy, or is it a mess? Are you happy with all your material or are there things that really need to be fixed? Are you hanging on to jokes and bits that have no practical use? Are there old, stock, or "appropriated" bits you're only doing out of habit, even though you know you shouldn't? Depending on your answers, you may need to de-clutter your act.
Creative Play: Word Shuffle
By Tracy Atteberry & David Parr
The random word technique can be very effective when you need a fresh perspective on a creative problem. Maybe you're staring at a blank page and don't know where to start, or maybe you're halfway into a project when you reach a creative bottleneck and don't know how to squeeze past it. To get "unstuck," a bit of randomness might be just what you need.
50 Years at the Castle: Another Magic Castle? Don't Shake the Wagon!
By Milt Larsen
Over the years, we've had many opportunities to open another Magic Castle. For one reason or another, that never happened. One very significant reason was that we were really struggling to stay afloat in the early days. Plus, we didn't have time or inclination to take on another "Impossible Dream." We came very close at times, but plans never jelled. After all this time, we still haven't gotten around to it. But there's always the future.
For What It's Worth: Smoke Signals
By Mark Kornhauser
I'm no psychic, even though I sometimes play one onstage, but common sense often foretells the future just as well. By the year 2020 (or much sooner), there will be pot cabarets and pot nightclubs, pot cruises, and a pot-pourri of pot parties everywhere. Blue and red states (okay, not Utah) will legalize and regulate marijuana. Entertainers will explore the newfound limits of social acceptance and cater to a new sensibility. It may very well be that the rich sensory experience of a magic show will have a unique appeal to those people who are fascinated by mind-altering adventures. Add a munchie buffet and you might even revive dinner theater.
Paynefully Obvious: It Can Happen
I'd heard the story of magician who was so awful that whoever booked him vowed that they'd never hire another magician. I always thought it was just one of those cautionary tales. After all, it couldn't be true. Who would be so narrow-minded as to let one unpleasant experience with a magician tarnish all the rest of us? But then I learned firsthand that it can and does happen.